David Koepp is re-teaming with Steven Soderbergh for Presence, a ghost story from the ghost's point-of-view, and we talk all ...

Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump ...

First, here are three new stories from The Atlantic ’s Books section: ...

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...

Presence is out now in cinemas, and Steven Soderbergh's innovative haunted house chiller is the first great horror movie of ...

Mourning makes for a memorable, hushed journey across Atlanta as a dad attempts to take his son to the ball game in David Fortune’s impressive debut.

The tingly thriller “Presence” starts with a knockout premise: What if you told a ghost story from the perspective of the ghost? Each scene in Steven Soderbergh’s impeccably crafted film is a single ...

But if this is the best Steven Soderbergh's got for a smaller canvas, then I’d like to see him get back to making major-studio movies.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

The writer teams with Steven Soderbergh on this haunting story with a twist: The entire film is shot from the point-of-view ...