By now it’s come to this: you’ve baked six different kinds of bread; you’ve grown tired of your colleagues’ stabs at humor and their zany Zoom backgrounds; you’ve finally mastered your kids’ remote ...
An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...
“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...
What does the term “ blockchain ” mean to you, and could you ever imagine it being a part of how you engage with art? Guided by artists working at the cutting edge of technology, and enabled by its ...
“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...
Part 1. Searching for Iemanjá: On the Move If you’re looking for Iemanjá in Salvador, Brazil, you’ll find traces of Her wherever you go. In the touristy Pelourinho neighborhood, Her smiling face ...
Our photogrammetry projects have mainly focused on sculptures and other obviously 3D objects. But every painting also has dimension and shape, which is most noticeable in works like The Starry Night ...
Elizabeth Catlett ’s terra cotta sculpture Mother and Child stands less than a foot off of its pedestal, but it feels much larger. It conveys an expansiveness that comes, to my mind, from the uncanny ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
In March, Neri Oxman: Material Ecology opened at MoMA. The installation is organized around seven projects, each represented by several artifacts, prototypes, and videos displaying the process. Each ...
Susan Rothenberg has left an indelible mark on the art world and on MoMA’s collection. Her work has been admired by multiple generations of curators and supporters. As a result, the Museum’s holdings ...
The designers discuss the process of creating a “typeface with a political purpose” for artist Titus Kaphar’s Redaction project.