Picture Hannibal Lecter’s unnerving state in Jonathan Demme’s “The Silence of the Lambs,” the intense eye contact of Sergio Leone’s “The Good, the Bad, and The Ugly,” the intimate gazes in Barry ...
Imagine a frame so close that every subtle twitch becomes a narrative in itself. That’s the essence of an extreme close-up shot. In the world of filmmaking, this technique isn’t just about zooming ...
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