Steven Soderbergh's 'Presence' is a ghost story where the audience is the ghost
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.
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