The intimate character study from director Gia Coppola of two women who find their time in the spotlight fading is a wistful, moving experience

Suffice it to say, pop culture and the entertainment industry didn’t objectify Pamela Anderson through the 1990s because of her voice; her cachet grew commensurate with the display of her bust, the cut of her swimsuit,

The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

In this episode of The Envelope, 'The Last Showgirl' star Pamela Anderson reflects on her life in the spotlight and John Magaro delves into the making 'September 5.'

The mob-run city of the mid-20th century gave way to "legitimate" business moguls taking control of the casinos, which in turn led to a pivot toward making the Strip "family friendly," before a return to the "What happens in Vegas, stays in Vegas" mantra in megaresorts run by corporations.

T here’s a scene in “The Last Showgirl” where the namesake showgirl, Shelly (Pamela Anderson), auditions for a man whose voice we hear offstage. “Age?” he asks before th

Not a lot happens in Gia Coppola’s wistful character drama “The Last Showgirl,” but it’s an appealing collection of moments, writes Moira Macdonald.

Pamela Anderson, Kiernan Shipka, Jamie Lee Curtis and director Gia Coppola discuss making "The Last Showgirl," a tribute to Las Vegas dancers to which Anderson could relate.

Pamela Anderson says she once feared for her safety during a particularly intense instance of mistaken identity. On Monday’s episode of the “Happy Sad Confused” podcast, the “Baywatch” alum recalled being confronted on a flight by a passenger who’d mistaken her for a member of the Grammy-winning country band the Chicks.